Not in the traditional sense. I specialize in Narrative Assembly and Technical Integration. When the source material begins with video, I can use your video assets to build the story structure and pace in a metadata-locked environment shared by Premiere & Descript. Once the story, beats and timing are assembled, I hand back a conformed Premiere Pro project file to your team for your fine video edit, titling, and color.

You don’t need to send me your 4K footage, just a lightweight proxy. I use a professional Proxy-to-Master workflow. I build the multicamera foundation using your source files in Premiere Pro, then export to Descript for the narrative edit. When I perform the 'round-trip' back to Premiere, your original high-res media remains linked and untouched, ready for your colorist or finishing editor

If your picture is already 100% locked and will never change, a standard mp4, Quicktime, or similar hand-off is perfect. However, if you are still shaping the story or need the flexibility to make late-stage dialogue changes without breaking your video sync before your fine video edit, my integration workflow acts as a technical safety net. It ensures that your audio mix and video edits stay perfectly aligned through the entire post-production process.

No. I manage all the software overhead. You will receive a private, cloud-based 'Live Script' link where you and your team can play the video and leave time-stamped feedback directly on the transcript—no accounts or installations required

My focus is on the narrative and the sonic experience. While I handle the multicam syncing and rough assembly, I don’t perform creative color grading or VFX. For projects requiring a total 'turn-key' visual finish, I can facilitate a seamless hand-off to my network of trusted visual partners who can build on the foundation I’ve created